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Pendergrass, Spinners, The Stylistics, Bill Withers, and so many more. Knight and The Pips, Al Green, Chaka Khan, Patti LaBelle, The O’Jays, Teddy Earth, Wind & Fire, Aretha Franklin, Marvin Gaye, Gladys.You’ll get 130 live uncut performances from 1973 - 1980 on 10 DVDs by soul artists including:
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Plus a very special bonus DVD featuring a rare and historic Marvin Gaye concert shot for The Midnight Special.
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These soul performances showcase straight-from-the-heart soul singing-with live musicians in front of a live audience. Now, for the first time, the greatest soul performances from The Midnight Special are available in one collection, The Soul of Midnight Special. Week after week, Burt Sugarman's The Midnight Special featured soul artists performing their biggest hits live and uncut in the prime of their careers. This is not a film I especially like (I couldn't watch it again and again) but I respect for its strong filmmaking.The '70s was a special time for soul music, a decade filled with legendary artists like Al Green, Teddy Pendergrass, The O’Jays, Marvin Gaye, The Stylistics and so many more. James Stewart and Kim Novak are appealing on numerous levels, the former mainly because he doesn't wander far from the amiable joe we have come to expect (even though he does weird-out near the conclusion) and the latter because she maintains a veneer of vulnerability that we can relate to. Also the acting here seems histrionic not that people actually spoke like that in the 50s but the audiences liked such dictionally refined dialogue back then as opposed to the lines of modern-day scripts that more accurately portray the way individuals speak. Hitchcock had to be more subtle in 1958, where I'm sure a work like this, that seems tame by today's standards, appeared bizarre and risqué. It is unfair to compare this film to the suspense thrillers of today which are subjected to more realism in sex and violence.
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HuggoĪn interesting psychological piece that richly displays Hitchcock's talents. What happens between John and individually with Madeleine and Judy is affected by the reason John took that early retirement: a recent workplace incident that showed that he is acrophobic which leads to a severe case of vertigo whenever he looks down from tall heights.
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The initial question that John has is if there is some connection between Madeleine and Judy. Judy is a working class girl, but what makes John obsessed with her is that, despite her working class style and her brunette hair, she is the spitting image of Madeleine, into who he tries to transform Judy. The second is Judy Barton, who John spots on the street one day. The first is wealthy and elegant platinum blonde Madeleine Elster, the wife of his college acquaintance Gavin Elster, who hires John to follow her in Gavin's belief that she may be a danger to herself in thinking that she has recently been possessed by the spirit of Carlotta Valdes, Madeleine's great-grandmother who she knows nothing about, but who Gavin knows committed suicide in being mentally unbalanced when she was twenty-six, Madeleine's current age. Following his early retirement as a detective from the San Francisco Police Department, John Ferguson - Scottie to his friends - becomes obsessed with two women in succession, those obsessions which trouble his long time friend and former fiancée, Midge Wood, a designer of women's undergarments.